By Amy Wilson-Carmichael
London   Morgan and Scott Ld.
8.5" by 6" xvi, 340pp [plus plates] [10pp publisher's adverts]
A charming and copiously illustrated work containing charming accounts of children in Southern India, observed and recorded by the renowned Protestant missionary Amy Carmichael.
By Amy Wilson-Carmichael

1912 Lotus Buds

London   Morgan and Scott Ld.
8.5" by 6" xvi, 340pp [plus plates] [10pp publisher's adverts]
A charming and copiously illustrated work containing charming accounts of children in Southern India, observed and recorded by the renowned Protestant missionary Amy Carmichael.
£40.00
: 1kgs / : 639M50

What Our Customers Say...

Description

Illustrated, Pleasing Copy, Publishers' Original Binding

Amy Carmichael is renowned to this day for her attempts to save girls and young women from forced prostitution in India, founding the 'Dohnavur Fellowship' in 1901 and working tirelessly to provide shelter and protection for those in need. Reportedly being very respectful of the Indian culture, Carmichael was also known for dressing herself in Indian clothes and dying her skin with dark coffee. She produced copious works on her missionary work throughout the later stages of her life, and inspired many others to pursue missionary work. This is an 'Octavo Edition' copy, published in July 1912, Collated, complete with fifty half-tone illustrations 'from photos specially taken for this work'. The photographs in this work, bar two, were taken by the renowned photographer Albert Thomas Watson Penn of Ootacamund. Penn travelled to 'Ooty' at the age of sixteen and set up a photography firm, producing numerous photographs that provide a fascinating visual record of the social history of the Nilgiris District. With publisher's advertisements to the rear of the text.

Condition

In the publisher's original cloth binding, with gilt design to the front board and spine. Externally very smart, with slight bumping to extremities and head and tail of spine, and slight rubbing to joints. Front hinge split and slightly strained, but reasonably firm. Slight offsetting to endpapers. Internally firmly bound. Pages bright with light scattered spots to fore edge of the occasional page, heavier to first and last few pages. Small ink inscription to front free-endpaper.

Very Good Indeed

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